Friday, September 5, 2008

Wild Grandmother




I have these 2 pictures side by side on my refrigerator in Portland. Does anyone know who did this painting? I photocopied it from a postcard years ago and can't remember the artist's name. The photograph is of my maternal grandmother, Lillie, when she was around 13 years old. I think that these 2 girls look alike: one, staid and proper, and the other gone happily, hairily wild...

Thursday, September 4, 2008

Yet Another Early Influence


There she is in all her glory - the first Barbie. My friend Patty Gardiner (the same friend who had all the cool postage stamps) was the first in our neighborhood to own this Barbie Doll. I lusted after that doll! Those curly bangs, those teeny sunglasses, those little high heels...gimme!!!
And I was not the type of girl who had been terribly interested in dolls up till this point. What was the attraction?? Well one thing is the scale of the figure. You can hold her in one hand and wrap your fingers right around her waist (maybe there's more than a bit of King Kong in little girls?? Or in me???)


There are some wonderful books out there about the origins, the psychology, and the social implications of Barbie. All I know is I had an immediate attraction to this little figure. And I'd not seen a television commercial about Barbie. I saw the doll for the first time when Patty took her out of her case to show me as we sat on her bedroom floor that day back in 1962. And I wanted her. I asked for a Barbie for Christmas that year and was so disappointed to get a Barbie wanna be - cheaper plastic - cheaper clothes.
I eventually did get the real thing and spent years playing with that doll. I sewed and knit clothes for her. My grandmother made her some amazing things. Gram had several Simplicity and McCalls patterns for Barbie clothes. I remember specifically that she made her a red velvet coat with snaps down the front and a trio of tiny white pearls sewn in a cluster over each snap, and a miniscule knitted white collar. I can still recall the satisfaction and the sound of snapping those teensy snaps. And even though I made alot of Barbie's clothes, it was equally thrilling to save up some money from the paper route, and head up the street to Nyanza (another early K-Mart sort of place) and purchase a new ensemble for my doll. The little accessories just killed me.

There were many hours spent sitting on blankets in our yard under the willow tree with my sister Sue and our girlfriends, playing Barbie. We never owned any of the junky Barbie Houses or Barbie Automobiles. We made couches and beds from books covered with handkerchiefs, and Barbie bathtubs were bowls filled with water with a tiny bar of soap made from a piece carved from the big cake of Ivory in our bathroom.

And I remember exactly when I stopped playing with Barbies. Seventh grade. Then it seemed like something only little kids did. I wonder now, though, if all that time leading up to adolescence, playing with Barbies was a sort of rehearsal. Let's forget for a moment Barbie's impossible figure and just look at her purely as a doll that represents a young woman. And when my body actually started to morph into young womanhood, and I actually started to embody some aspects of the doll (and again I stress looking at the exaggerated features of the doll as merely hinting at what a woman's body can become) that I didn't need her or want her anymore.
Funny, though, how I went on to develop a love of the figure...

Wednesday, September 3, 2008

The Thinking Moon

























































A dream which is not understood is like a letter which is not opened.
Talmud

I have kept illustrated dream journals, off and on, my whole adult life, and I get ideas for my art from these pages. Typically I use blank books for my journaling, but in January I found a book that has a lined page next to a blank page that says "subject" at the top. I purchased this to use as my dream journal this year. A dream often has one central action, object, or important statement, and this is usually where the message lies (the top dream and image show how I extrapolate the key idea and illustrate it...)


I like taking that one thing and illustrating it and my new book has the perfect format for this. Here are a few of the subjects from my '08 journal with my illustrations. I use simple stuff to draw with - whatever is close at hand - crayons, markers, ballpoint pens, cold coffee (!), and don't worry about rendering, I just go for it quickly. And since there is a line at the top of the page, I write the subject with my old school girl script, like a penmanship exercise. Why? I don't know, it feels deliberate, I guess. That is not my real handwriting! To write like that does slow me down though, which is sometimes a good thing.


Funny to see these images all in a row, seemingly random, but of course for me, loaded with information. I know an artist who works inside a grid system, taking dream images like this and shrinking them to fit into 1" x 1" blocks to create a page full of tiny painted squares. He uses watercolor, and the resulting works are comical and strange.

Tuesday, September 2, 2008

Garry's Summer Finale






















You know the old song, Don't Advertise Your Man...
I really shouldn't, but my man can cook! Garry is a hospital pharmacist and he is a creative thinker on the job, but he really taps into his juicy creativity in the kitchen. He loves to cook! Garry calls this casserole, Summer Finale, and it is goood. I don't know if he'll give up the recipe which involves eggplant, tomatoes, basil, cheeses, garlic and prosciutto...I don't even know it.
So, I've employed a spy.

If you want the recipe, let me know. I should be getting Raquel's report momentarily...

Love's Labors



































Some labors, and some of the fruits (and vegetables) of,
from our Labor Day weekend in Woolwich.
We had glorious weather here in Maine. What a gift!

An Ode to the End of August




















Where did it go?