

I drew All the King's Horses/Invasive Monitoring after learning in 1992 that surgery could not help Lisbeth. This was after three years of preliminary testing including two extended stays at Boston Children's Hospital. As the years went by and the complexity of Lisbeth's condition became more apparent and the doctors were unable to stop her seizures, one doctor admitted that the field of epilepsy was more of an art than a science. I felt at times that we were crawling in a dark tunnel together with a dim flashlight to guide us. Making this self-portrait was cathartic: it helped me to move through my grief into a place of acceptance about Lisbeth's condition.
The script on the drawing is from a dream. It reads:
I dreamt that Lisbeth was just a head, a head shaped like an egg, that I could hold in my hand.
I asked the doctors if they could re-attach Lisbeth's head to her body?
They assured me that, yes, they could.
But they looked at each other worriedly, doubtfully.
I saw them do that.
No comments:
Post a Comment